3/1/2023 0 Comments Accompanist sydney![]() ![]() ![]() ![]() Ideally, to keep everything music-themed, the taming/re-training would be done with a flute. For engagements like this, the accompanist may be called on to pick locks, crack safes, break windows silently and jump over large, sometimes barb-wire topped fences with me riding piggy-back at all times.Īccompanist must possess a thorough knowledge of the canine psyche in order to tame six to eight guard dogs simultaneously and then retrain them to attack their masters in under two minutes. Some of my singing engagements take place late at night, in the homes of strangers, without audiences or music, and may appear to be elaborate art or jewel heists. Therefore, it is necessary for the accompanist to play from music sheets of binary code, create music by striking the keys with an oversized faux-wooden club, and play with ankles and wrists cuffed. To build intrigue, the accompanist may be billed as an android, caveman, confirmed serial killer who is shortening his prison sentence through a musical community-service program, or all of the above. Depending on availability of tour funds, I may or may not be able to replace those keys, so the ideal candidate should show discretion when selecting which two to four keys he will consume. When audience members are especially rude and ungracious, the accompanist may be required to remove and eat two to four piano keys without flinching or blinking in order to silence the unruly spectators. Mysterious facial scars are a HUGE plus, but not required. To intimidate any potential hecklers, accompanist should be at least seven feet tall and weigh no less than two hundred sixty pounds. Accompanist should also be willing to have his grand piano modified and custom-fitted with pyrotechnics so that, when the ominous chord is struck that opens each show, my name will be spelled out in multi-colored flames. The ideal candidate will be classically trained, able to sight-read, and capable of playing with his feet on demand.Īccompanist must supply his own grand piano and grand piano transportation. He is also the keyboard fellow at Sydney Grammar School, where he works as an accompanist, répétiteur, music teacher and ensemble leader.Well-established performer seeks piano accompanist for upcoming singing tour. He was invited to perform Beethoven’s 1st Concerto with the Queensland Symphony Orchestra in 2020 (cancelled due to the COVID-19 pandemic).Īnthony regularly performs with local musicians and orchestras in Sydney and Canberra. In 2019, Anthony came third in the Lev Vlassenko Piano Competition as well as received the Griffith University People’s Choice Prize, the Queensland Symphony Orchestra vote and acknowledgement for best performance of an Australian work. ![]() He gained a place in the final of the inaugural David Miller Award presented by the Accompanists’ Guild of NSW. In 2018, Anthony developed his experience as a collaborative pianist, including many accolades at the Sydney Eisteddfod in the vocal and instrumental accompaniment awards. He also performed at the Estivo Chamber Music Summer School in Verona, Italy, where he collaborated with Christian Wilm-Müller, Wayne Foster-Smith, Eberhard Feltz and Niklas Schmidt in their masterclasses. In 2017, Anthony came second in the inaugural Sydney Conservatorium Chamber Music Competition and was runner-up in the Sydney Conservatorium Concerto Competition. He has performed in masterclasses with Roy Howat, Tamás Ungár, Paul Lewis, Rita Reichman, Bart Van Oort and Lisa Moore. In 2011, he received his Associate in Music, Australia (AMusA) and in 2012 was awarded his Licentiate in Music, Australia (LMusA) with distinction. Anthony Chen is an award-winning pianist who completed his Bachelor of Music (Performance) with First Class Honours at the Sydney Conservatorium of Music, where he was taught by Paul Rickard-Ford. ![]()
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